A main part of living in crete so far has been Cretan music…and wine. The music in Crete takes some getting used to. The music’s good, don’t get me wrong. These guys can play, it took me a while to get into it, but now I have the sound, it is pretty hair raising stuff. If they had a bigger stage they’d be haled as talented lads. The vocal power of the singers could rival the best of the celtic and all other scenes, as could the skill of the musicians. If you took these guys and dumped them in Salsa Celtica or the Shooglenifty’s of this world they’d blend right in. If their stage were international and their music a little more immediately accessible or their fan base a bit more spread out over the continent and not just Crete then perhaps they would be appreciated further afield, by those outside the culture too. However, that’s a lot of ifs.
In reality these guys are ‘famous’ on Crete. I say ‘famous’ because that is the word that is used to describe their popularity to me. I tend to insert ‘popular’ or ‘well known’ here, a slight, but significant difference. They have their regular followers and they know them well. One or two names are mentioned continuously in Crete with as much excitement and admiration as any indie band or popular western band might be. The habits are similar; plenty of booze, fags and late nights. When I say booze, I mean a bottle of whisky on stage consumed throughout the evening. And when I say evening, I mean the whole evening, a good 2, 3, 4 hours. Name the last band you saw that played for anywhere near that amount of time, and when you see them play there’s no playing, it makes me tired watching these guys. The amount of staying power in the incremental rhythms is quite incredible, made all the more astonishing when you take into account the fingers in between the strings, on the fretless fret board, technique of the Lyra – an upright fiddle-type instrument used outside Crete also.
It is also important to note that the music they play is very rarely their own, if ever. The genres they play are either rebetiko or traditional Cretan music with roots in the turn of the 19th century. A time of extreme poverty and hardship where a music rose, that I like to think, was akin to many other kinds of folk music around the word, from Irish to Scottish to their many influenced American cousins to the more present day blues, Cretan music has the same sole. Rebetiko, as suggested, is all about the hard times and finding the chinks of light, the love of a woman, the wine, the food, but mostly the love a woman…as far as I can gather. With this in mind they play most nights, the best ones can make upwards of 2 or 3 hundred a night, not a bad living even outside Crete. It goes beyond that though, if you’re sitting in a nice little cafeneion in the smaller towns and villages around Crete it’s not uncommon to find instruments appearing from nowhere, and sometimes, it’s astonishing how many people know how to play, and apparently the standard tends to be pretty good. I say apparently, because quite frankly, I could be talking a lot of shite. This is the view of a music fan not a music expert.
Although I wax lyrical about music on Crete it is not a widely loved genre in Greece. It belongs to Crete but within that, as in all regions, there are pockets of fans of particular music. As far as I can tell the majority of the ‘younger’ generation prefers the typical bad European dance/ballad type affair. However, the Cretan Music fan base is pretty fanatical and consists of mainly students and the like from the younger generation, and, of course, the oldies love it. It’s easy to forget what the older generation (the parents, not the grandparents) went through. If you are familiar with the recent history of Greece (I wisnae) you will be aware they were under a dictatorial government till as late as 1974, when the students revolted in what was to be a tragic (a number of them were killed) and penultimate act in the final breathes of the ruling government, when it eventually fell the underground revolution parties rose and with them came the music of a similar ilk. This is also a popular genre among these musicians in the music scene in Crete.
So, these are talented boys and girls, and to reinforce this, I was told the other day that one of them lived in London for a couple of years and to make a penny or two he played with some bands including Nick Cave and the bad seeds. They are true stars in their own right but unfortunately they don’t quite have the exposure they perhaps deserve. Don’t get me wrong; they aren’t people who care for this kind of attention, music and entertaining is the motivation and passion, but of course they have the same trappings; whisky, wine, beer, and late nights. Unfortunately, there doesn’t seem to be any evidence of groupies, but if there were it would, no doubt, be risky…their mother, father, aunt, uncle, godchild and grandmother would probably be there too.